How the Figure-Ground Relationship Relates to Web Design
The figure-ground relationship allows the user to tell content from structure, spot affordances and even understand how indirect depth relates to a two-dimensional way of seeing things. A good designer will be able to use a variety of visual tools as well as styling treatments to show the user this type of context.
He’ll also display important indications to clearly define the figure-ground relationship on a website. It’s also possible—bas! on the skill level of the designer—to take advantage of normal, figure-ground perception to distort the page layout in unique ways to boost visual interest.
Good web designers will know that they have to make the user see the difference between the figures (the elements of focus) and the ground on any given webpage. There are numerous techniques a designer can rely on to achieve this.
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For starters, the smart use of color will help to set figures apart from the ground, as will the thoughtful introduction of shading. Something as potent and direct as highlights can also make the distinction between figures and ground starker. Some specific applications include:
Buttons that actually look like they can be russia whatsapp number data 5 million press! (even though skeuomorphism may be on the way out)
Links that change upon rollover
A Simple Example to Set the Stage
To wrap your head around the figure- how does a qr code work? ground relationship in design, it’s best to start simple, so that you’re clear on germany cell number the basic concept. In the example below, you see two pictures, with the one on the left showing a gray figure that’s sitting on the white ground and the one on the right showing a gray figure with a hole in it, sitting on the white ground.
b2b web design principles optical illusion
Clearly, that’s not really apparent upon first glance, especially with regard to the picture on the right. This, therefore, is a great illustration of the fact that figure-ground relationships can be determin! by the conventions of human interpretation, contrast and additional factors, too, as you’ll see a little later on.
